“The Stolen Kiss”: depicting violence against women
Do you ever read a critique of a painting that you don’t agree with? Of course we all do. A recent review of The Stolen… Read More »“The Stolen Kiss”: depicting violence against women
Do you ever read a critique of a painting that you don’t agree with? Of course we all do. A recent review of The Stolen… Read More »“The Stolen Kiss”: depicting violence against women
Some do indeed worship at the alter of the state. Most artists don’t make a living at their art, and most people who study art… Read More »The art welfare state and publicly funded poverty
The sun is shining and my paint brushes are far too dry for their own good. The heavy paper I like to use is pristine… Read More »Sunny, sunny day!
Subtitled, What can we learn from art about our sense of identity, this short article explores some of the themes of the Wellcome Collection’s (London)… Read More »Art and Identity
Brigitte Coulombe is an artist in Northern Ontario, Canada. Her work in this show are semi-abstracted minimalistic interpretations of Lake Nipissing. Floating free on the… Read More »Périphéries
Art of England has published a short piece of mine looking at the impact on creativity in art from the wider use of (mainly) digital… Read More »Social media and technology revolution: a commentary
Art of England has published a short piece of mine on older, and late-blooming artists. Art of England, issue number 64.
The September issue of Frieze art magazine is all about ‘theory’ or what appears to pass for theory in the art world. The whole issue… Read More »Physics Envy: or why art theory isn’t
“Tu m’” by Marcel Duchamp is a good example of how this artist played with our sensibilities. Karl Gerstner, in his Puzzle Upon Puzzle, which… Read More »Tu m’: me pense que…
Kodak has announed the end of production of Kodachrome film. Those who still use film will know Kodachrome film for the quality of the colour… Read More »End of Kodachrome and a way of seeing the world